The songs themselves are split into three major categories. Triggers appear on the screen which require some form of input – be it a tap, a hold or a swipe – as action plays out on the screen. You choose from a set list of memorable songs from Final Fantasy games to play. There’s little to no story development here beyond what’s shown to the player at the start.Īs you’d have gathered from the title, Theatrhythm is a fairly typical music and rhythm game. It’s nice that Square Enix put the extra effort in to put a story against their non-canonical spin-offs but yeah, this is truly nothing to be bothered about if you missed the first game. The evil force (Chaos) has returns and players must amass “Rhythmia” from some sacred crystals in order to stop it and restore the balance between Chaos and Cosmos. Ironically enough, it’s almost the same story that’s being told here. After briefly recapping the story of the first game, Curtain Call jumps straight into a prologue of sorts that sets the scene for the new game. Theatrhythm wastes no time in attempting to set the scene for the events to come. But why? What’s so new? Quite a bit, actually. Curtain Call features so much new content, modes and even ways to play that if it were offered as downloadable content, it’d probably be more expensive when considering just the songs that have been added by themselves. It’s an interesting thought, but when you consider the sheer amount of content on offer in Curtain Call, I’m more inclined to say it’s a fairly wrong thing to say. There’s been some murmurings throughout the community and throughout my own circle of friends that Theatrhythm Final Fantasy: Curtain Call should not be a separate release, but rather downloadable content for the base game.
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